Pierre-Paul Prud’hon was an influential allegorical and
portrait painter who was born on April 4th, 1758 and passed away on
February 16th, 1823. This French painter was born to a stonecutter
in Burgundy, but began studying painting at the age of 16 in Dijon. He then
studied Neoclassical techniques in Italy before returning to Paris during the
French Revolution. Prud’hon became known in Napoleon’s high court for being
called upon to paint portraits of Josephine the Empress, many other court
members, and to decorate Parisian mansions. Thus, he reached a high status in
the French courts.
In regards to style in technique, Pierre-Paul Prud’hon
spanned multiple bridges. He has been noted to encompass techniques and styles
of both the Neoclassical and Romantic eras, with his love for Romanticism being
particularly highlighted in his portraiture and nude studies. Prud’hon was
particularly apt in portraiture and figures as well as full scenes depicting the
rich or mythological scenery. Although Prud’hon was known for his work in oil
paintings, his drawings using chalk and charcoal are also prominent.
Prud’hon often used charcoal and chalk to create study
drawings for more elaborate works. “Bathing Venus” was a study drawing in chalk
with a soft feel. The deep contrast between the white and black chalk highlights
the luminescence of the figure and truly gives a mysterious and romantic
feeling to this mythological persona. The figure’s anatomy is clearly delineated, however the shading is
soft and blended giving the appearance of supple human skin. As a study drawing
we can see that Prud’hon did not get too involved with the background and
although we can see he has some idea of a rock Venus is sitting on, the shading
is very messy and does not detail the intricacies. I have included the final
piece for comparison, which has many children in the background, as well as water and trees. Prud'hon's contrast in shading is mostly washed out in his final piece.
Even more common, Prud’hon used charcoal to study the human
figure and anatomy in an academic setting. In “Male Nude Turning, 1800”, chalk
and charcoal was used to create a very detailed academic drawing of the male
human figure. The background is given more attention here and although it is
not shaded in great detailed, the richness of the blacks serve to highlight the
figure. In this drawing, the type of shading is a lot more detailed and we can
see that there may have been more use of pencils and less blending with some
“graininess” to the figure if observed very closely. This drawing has much more
of an academic feel with the softness lying in the gesture and placement of the
figure in the light and dark. However, these has been great care in shading each muscle correctly while the objects further in the background are not given as much attention such as the left arm of the man. This holds true for many of Prud'hon's works.
Finally, I chose to include a “Portrait of Constance Mayer,
1804”. Although Pierre-Paul Prud’hon rarely did his portraiture in drawing
media, this piece indicates that he can successfully do so in a mixed setting, although
with a different feel to them than his full oil portraiture. Prud’hon uses very
detailed shading especially in regards to the eyes and hair to give it a very
realistic feel. This portrait looks more contemporary than many of his pieces
and he uses white highlights to bring out Constance Mayer’s smile and emotion.
Yet, the shading in the image does not have as much direct contrast between
whites and blacks next to each other to give the Romantic “glowing” feel of
many of his other pieces.
Although Pierre-Paul Prud’hon is not a very well known
painter, his drawings of humans are very informative in how to add an extra
element of Romanticism and softness that most academic drawings do not have.
However, Prud’hon’s work remains very realistic: a true blend between
Neoclassical and Romantic styles.
Works Cited:
"Pierre-Paul Prud'hon | Biography - French Painter." Encyclopedia Britannica Online. Encyclopedia Britannica, 7 Sept. 2014. Web. 02 Mar. 2015.
"Pierre-Paul Prud'hon (Getty Museum)." The J. Paul Getty in Los Angeles. J. Paul Getty Museum, n.d. Web. 02 Mar. 2015.
"Pierre-Paul Prud'hon." WikiArt.org. WikiArt - Visual Art Encyclopedia, n.d. Web. 02 Mar. 2015.
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