Being an Artist at Duke - Rebecca

             To be completely honest, my high school self might be a bit sad at the lack of art classes I’ve taken in college. My own high school wasn’t too big on art. Heck, there wasn’t even a club for it (if there was, then I wasn’t aware of it. That’s how small the art scene was there). I was fortunate that I had other means of learning art. I knew coming to Duke that I wanted to continue with art and even get an art minor, maybe even a major. And yet, I really didn’t start until the second semester of sophomore year. I feel like this calls for a trip down memory lane. I was so excited to take the introductory drawing class, but every time I tried to register for it there was never any space. I tried three times before giving up on it. Honestly, I was considering giving up on even trying to take an art class at that point. Luckily, hope prevailed. I was fortunate enough to be able to enroll in Figure Drawing and this is really where my collegiate art career began.

              I personally only had experience with graphite and acrylic before coming to Duke. After just five semesters of taking art classes, I’ve really been able to expand my horizons and learn new skills: from improving at figure drawing to learning how to screenprint. These are all things that high school me would never have imagined myself knowing. Who knew that I could make a jellyfish out of plastic cutlery, while inhaling delectable burning hot glue fumes? (In all actuality, I was really impressed with myself). Also, who knew printmaking could be so dangerous (luckily, the cut on my thumb has healed)? Despite all of the injuries, I haven’t had this much fun doing art ever. In fact, I think I’ve kind of fallen in love with the art making process again. Although, I still have a lot to learn, I’m grateful for having the opportunity to experiment.

              Unfortunately, one thing that seemed lacking to me, other than class size and number of class offerings, was the art community. In all actuality, I really only have a few friends who are just as interested in art as I am. Because of that, there wasn’t a lot of motivation to continue doing art outside of the classroom. Maybe this was just because of my introvertedness or just me not searching in the right places. But in the end, I think I’ve found my place. I’ve found great professors who really encourage creativity and not just completing an assignment for a grade. I’ve also found different art mediums to experiment in. I’ve learned that the only boundaries in art are those that I put on myself. I look forward to the future and to any future art endeavors I might attempt. The only thing I regret now is not taking more art classes. See you later, Duke. It was a fun ride.

On Being an Artist at Duke

Duke is an incredibly stressful and different atmosphere than I've ever dealt with before. I had no intention of pursuing art in college because, although generic and expected of students in higher education, I am a pre-med Neuro major who hopes to attend medical school. Nevertheless, here I am in an art class and hoping to pursue art further. Originally, art was just something I was good at and could be used as a hobby or a destress every once and a while. After attending an art school, it became more of a career prospect and future; however, I switched back to a normal high school, and very quickly my goals for the future realigned. That said, like most students who end up at Duke, I am very passionate about my goals and the future. The reason why I took an art class during my first year of college is that I was fed up with the atmosphere surrounding me at Duke that pressured me into a cookie-cutter mold of what every student had to do in order to attend medical school. 

My life has always been untraditional and when I arrived at Duke, I had no intention of making it traditional. My first week at Duke was spent doing a pre-orientation program centered around the arts, and I now am involved in many organizations on campus that support the arts. I have come to realize that art will not be a future for me, with good reason. I use art as an escape from the expectations and severe pressure on students at Duke. If I was to pursue art in an educational manner like any other field of study, it would quickly become weighed down with the rules of higher education. This is why, at Duke, I have become heavily involved in the arts, but only extracurricularly. 

I have found that being an artist at Duke is fairly rare in comparison to my peers and likewise the community surrounding arts at Duke is fairly limited. Furthermore, the support given to the artistic communities on campus is way less than communities centered around STEM. I believe this is not entirely the fault of Duke, but more of a fault in the way the educational system is structured in the United States. It is based around money, and children are told from a very young age to become something that 1) makes a lot of money and 2) holds a lot of power (think lawyer, doctor, president, etc.). Nevertheless, I have found my niche in the student body at Duke. I realize that I do not attend an art school and should not expect the Duke community or administration to emphasize the arts; however, I hope that in my time here, I can pass on an appreciation for the arts and support the artistic community at Duke to help change the system from one of tunnel-visioned futures to one that supports peoples' desires and passions. 

On Being an Artist at Duke - Bree

Art is my biggest passion that I've never made time for.

At my dad's house there are tons of sketchbooks I've completely filled through the years. My most productive time was from 10-15ish when I actively made and sell jewelry and art online. Those efforts enabled me to put a down payment on my first car, and then I started to work to pay it off. The time to create fell off between work, school, sports, and hanging with friends. The only time I could find was forcing myself to always be taking some art class at my high school, an hour of everyday that I could devote entirely to what I loved doing.

I was an economics major and premed. As you can imagine, there was no time at all for art the first year and a half of my college career. Art was a very rare hobby of mine, and what had been a huge part of my identity became something I rarely talked about. Only my roommates really knew that I had any artistic interest at all. When I realized that economics wasn't as interesting to me as I thought it would be and has no bearing on my plans for the future, I decided that the best thing to do for myself would be to switch my major, once again forcing myself to make the time for something I deeply enjoy.

Since then, it's become a part of me again. I still rarely do any art for pleasure, but at least I am doing something every week to fulfill assignments and what not. In my experience, the culture at Duke doesn't really permit spending any spare time on hobbies like art. I used to check out art books from Lilly weekly, look through them, feel so inspired to create, to then never find the time to do so.

There's definitely a bit of a stigma to it, too. The thing about taking a drawing class is that there is no shortcut. You can't not put the time in to a final piece and expect it to look how you planned, whereas you can probably bullshit an essay or find the answers to a problem set online. So, when it's a Tuesday night and I know I have to set aside some time to finish up a drawing for Wednesday, some people don't take it as seriously as if I had an exam the next day. To quote my boyfriend's four-year-old brother, "I don't have to be quiet around you when you are drawing because you aren't doing real work like Faris and Rami."

Beyond the culture, though, I am grateful that Duke has given me the flexibility to get an art degree (which is not something I ever would've dreamt of growing up) along with some science degrees and the chance to become a doctor. The artist-half of me is free to roam without guilt. Now, I can outwardly say I spend a large amount of my time creating. Not only do my roommates know about my passion, but so do my friends, their friends, their friends' families. I've asked friends to model for me, had intimate conversations with them about their identity, and given them finished products that I am proud to have made. Maybe finding your foot as an artist at Duke is just something that takes time, or maybe I was lucky to eventually find myself in the position I am. Regardless, it is certainly worth trying.

On Being an Artist at Duke - Lauren

The atmosphere at Duke is intimidating, to say the least. It seems like everyone has their entire lives and careers planned out; they're either pre-med, or pre-law, or going into finance, or engineering, or one of the many other pre-professional paths offered. Sometimes I don't know where exactly I fit into this equation. I use art as my solace.

Duke is by no means an artsy school. Like I said before, most students are so focused on their pre-professional paths, they hardly have any time to breathe, much less make art. I've succumbed to this many times, especially during the first semester of freshman year. Making art often felt like it was optional, or not as important as other things, like studying or joining your tenth club. One of the reasons why I took this class was because I wanted to prevent myself from falling victim to this mindset. Personally, I make the most art when I have deadlines; I make art when I have someone or something telling me I need to make art. This probably isn't very sustainable, and I'm working towards being an artist on my own time, on my own terms. For now, though, it'll do.

I feel most like an artist when I'm at Smith Warehouse. I don't know what it is about the building that makes me feel so inspired, but it does. I love the fact that it's quiet and serene, but you just know there are so many cool things happening within it. I particularly love our studio space. It reminds me of my high school art studio, which brings back a lot of happy art-related memories.

Being an artist at Duke definitely doesn't come easy. It's not easy to embrace the arts when the culture you're surrounded by is suffocatingly pre-professional. It's something I'm consciously working on, though. Art makes me happy, and why shouldn't I do something that makes me happy? Why shouldn't we all do what makes us happy? I think we need to have some sort of shift in our culture. We need to find a way for people to be able to make both pre-professional aspirations and their hobbies priorities. We shouldn't have to choose. I can be pre-law or pre-med or into finance AND an artist. It doesn't have to be a one or the other situation.

I suppose if I had to sum up my experience as being an artist at Duke, it would be my late night walk home from Smith Warehouse, on Monday nights after figure drawing. I will remember those walks back to East Campus as being some of the most calming, peaceful experiences of my freshman year. I never would've had them if it weren't for the arts. For that, I am grateful.

On being an Artist at Duke

Being an artist for me is always personal. I never anticipate a time in my life when I would be called an artist but have given this title to myself any time I want to. Having an artistic life at Duke means a lot. To create, to contribute, and to enjoy.

With a cup of coffee with a list of songs, I can just submerge in my drawings or paintings, or sculptures. I remembered the last winter when I looked out from the window, I saw a branch of burning leaves glowing in the dust. I picked up my paper and pastel and caught this second of sensation with my energy. It happens a lot to me. Roaming on the streets, sometimes I intentionally turned my mind off from work and study and let it stray with my sights. When it catches sometime, it will remind me the next time I have my pencil and paper. I think I am just stealing some time to make something permanent, on canvas or paper or clay or films.

Duke is a huge community. Even without large number of art students, you can always feel art involvement in any corner of our campus. I remembered my amazement at the graffiti tunnel from my first visit, and variety of workshops in Arts Annex. Then I joined the Duu Visarts, and that comes my time to contribute. I don’t think there are just those official ways to make contribution. Bring appreciation in art, talking to friends and professors about your fantasy and creativity, you never know when those ideas will be spark in art.

       Finally, to enjoy is the key to be an artist. This does not require any education or practice in art. Opening up your heart and let in any sound or color from concerts, museums, galleries. Try to accept the conflicting thoughts and learn why to say that and how to say that through artistic language. It is funny that there is no official definition of art. That means if you do something to an extreme, that thing becomes art. It also means that if you like something, however normal it is, it can become art, since it then embeds a special meaning.

Hunt Street

Just finished this piece and wanted to share with you all! It ended up being about 29 different drawings of different sizes, collaged together. I would probably keep messing with it a bit longer but it's the 21st tomorrow so... here it is!

April 15 Update - Bree

I still haven't formalized my last drawing. I would like for it to be closely tied with financial pressure and the stipend check; most people I know spent the check on rent, utilities, and food for the month of April and are at a loss of what to do when next month rolls around. I have a couple of ideas for how to portray this; one with someone physically trying to stretch the piece of paper check while their responsibilities loom in the background.

As far as the rest goes, the plan is:

1. the one of my dad, which is a current WIP below

2. the couple from the rooftop in SF

3. my grandma peeking through her screen door

4. one about mental health in the current time, which I'm just now realizing I never really discussed on here. It's going to be a self-portrait of me sleeping during my zoom lectures with my video/audio off. I have switched to a sleep schedule of 7am-2pm and often throw on my mandatory lectures in the background and rest during them.

5. the idea above

Mo- Update 4/15

I've decided to focus on one piece this week in order to get a sense of the unifying themes I want to are across my five drawings. After some though over my sketches the past few weeks, I want to continue focusing on touch and messaging in my drawings. As of now, I decided to name the set "PSA" (public service announcement) to represent all the health and safety announcement's we've received throughout the pandemic this past month. Each drawing will link a PSA to actions we would have normally taken before COVID-19 to show how it has changed our behaviors. 

I think the sketch above is a "trial piece", but I'm not entirely sure and need an opinion on filling the space above. Should I just upscale the sketch, fill in the space with a charcoal gradient, or add something else above? I've also added a cropped picture before that focuses more on the drawing. Otherwise, I like the sketch, because it focuses on touch and faces while subtly dropping a message we have received about avoiding contact with ourselves. I also added the charcoal gradient, because I feel like this has been a time of "darkness" and confusion in a sense (especially with mixed messaging), but we are bound to emerge into the light as we receive more clarity and go through this experience. 

Update for April 15th

I'm a big fan of working on teams. I've done virtually nothing in my life as the sole contributor, I've always worked with formal or social teams to do things. In the process of getting more into drawing, I've developed a team here in Durham. Holly and her team at the ArtPost art supply store, the librarians and stacks at Lilly Library, the drawing class, and a host of friends and family have been instrumental in developing my style for the term and in helping in the editing of every piece I've made. In COVID-19 isolation, I'm cut off from that team. I'm not a fan.

I've made a series of sketches now combining 19th century impressionist hand sketches where the faces are replaced by people I've had Zoom video conferences with in isolation. Normally, I would've worked with that team to push the project forward. With input from others, I would surely move this project to a better level. I don't know how--which is my problem--but I'm confident that it would.

It has been interesting to review hundreds of impressionist sketches from tens of artists to get a better understanding of the style. Of course, Lautrec, my perennial favorite, made that list, but so did some new finds (for me anyway) like James Tissot and Alfred Sisley. In the end, I chose drawings to imitate that carry the nostalgia of impressionist art along with some of the elegance. A sea captain. A relaxed fat man playing the violin. A man standing in a braided fez hat. A man in full riding gear on a horse depicted by a single whispy line. I've drawn similar sketches, then blocked out the faces and replaced them with the zoom screens. The faces in the screens are all people I've been interacting with on video chat during this quarantine: professors, friends, and classmates. The combination is both quaint and jarring. Kind of like being in quarantine. They are also fun to look at because they are such nostalgic topics filled with all the movement or mood of notebook sketches.

I'm looking forward to completing the series. In serial, they will be a set of sketches that pretty well reflect my experience during this crisis.

4/15 update - Rebecca

 

These first two pieces are a set and are my take of being Asian during this pandemic. I drew them to mirror each other on purpose. I wanted it so that the two pieces faced each other and showed both the side where I wanted to cover myself up (first picture) and the Asian American side that wanted to be free and not fear to be judged by others. I tried drawing the hands so that they looked as if they were touching the mirror, but also to give off the feeling of “stay away”. The eyes in the first drawing are there to represent judging stares, while the flowers in the second drawing are simply there to help express her Asian-ness (if that makes sense).

In the third drawing, I wanted to draw a representation of what many people feel now – drowning in fake news and all the chaos ensuing. I’ve even written phrases some people have said in response to this pandemic that’s quite underwhelming.

 With this fourth drawing, I took a more abstract approach. It might be hard to see, but this is actually a graduation tassel. I wanted to do it with charcoal to convey “lost memories”. I’m a senior and I’m missing graduation this year (understandably). It’s still a bit sad knowing that I’ll be missing some great memories with many of my friends that I’ve made here. I guess I just wanted to pay homage to that feeling.

I haven’t quite finished the last of the five pieces (and I also wanted to do another smaller piece). However, all I really have to do left is to color in the sky similar to how I explained it in my previous blog post. I plan to finish this pretty soon. But again, this piece is depicting how the world continues, while I sit in bed losing track of time. These days, it’s hard to tell what day it is, but in a blink of an eye, it’s now the end of the semester. (If possible, I’ll try to edit this blog post when I finish the piece).

Update on April 15 - Hillman

Greetings. Hope everyone is doing well.

I have been thinking about my subject for the five drawings. It turns out a lot of my focus was on the change in balance between the natural word and human life. Therefore, I would devote this project to mainly depicting absurd impact from inevitable change to some animals. 

To open up my topic, I want to relate an artificial world with the subject I am going into. This illustration I draw inspired from Isabelle in Animal Crossing would function as a bridge between leisure hours with the cruel reality others are going through. Moreover, Isabelle in the game takes up the role of city governor. Songs, flags, urban planning are all executed through Isabelle’s suggestion. Thus, for those who are familiar with the game, it would be spontaneous to relate such a positive image with political leaders who are making the right decisions, spreading love, energy and hope. In this drawing, I also applied some warm light in contrast to cooler background, in order to give a heroic atmosphere to elevate this particular moment. My next images would be pet forced to wear masks, so this image of a masked Isabelle will guide my audience from a purely artificial setup to reality. 

For the rest of the drawings, I will first have pets on mask, then mice in college dorm (probably also wearing masks), wild life on the streets, and finally, a closing piece that draws previous elements together.

Lauren - 4/15

Hey guys! Hope everyone is doing well.

I've finished one drawing (the one I showed last week) and have done the contour drawings for the next two. I'm struggling a bit to find motivation. I had to wait for some more graphite pencils to arrive after I finished the first drawing, and I've kind have lost my drive, if that makes sense.

I'm working on getting it back, though! I've been trying to dedicate time in the mornings and at night just for drawing, no distractions, so I'm sure that will help.

I'm thinking of using prisma color markers for the background, and maybe sticking to words that relate to the epidemic. If anyone has any suggestions for words that have meaning to them during this time please let me know!

Update: found some late night motivation (currently 2am - drank way too much coffee today) and I've done another drawing. Last picture.

Charlie 4/15 Update

three of the panels have their underlying drawings for the most part done. waiting to do the pen text on top until i finish the other two. I'm planning on making the drawings not as detailed as some of the previous drawings i did so there will hopefully be more of an emphasis on the text as well. I may play with the fire a bit more on the spare sheets of paper to see if i can get the effect I want or try to do something with wax. going to explore that in the next few days.

Joyce Zhou 4/15/2020

For this week I was able to finish a couple of the drawings, and I'm working on the last two. The three finished pieces are below:

This image is my extreme interpretation on how coughing spreads the coronavirus. I wanted to display the disease as a sort of eldritch horror, but I wish I had picked something more virus-like than eyes. I just wanted to play up the deadliness of the disease, and how I feel when I see people coughing at this point when I'm in the outside world.

This image was inspired when I went to go shopping for my family and was surrounded by potentially a whole lot of disease. My county now has around 3,500 cases, but the population isn't all that high to begin with. I think New Haven is reaching the peak for this disease, so going outside, even with a mask on, seems like a pretty big risk. Hence the floating skeletons (coronavirus), but I feel as though I made their hair too pretty.

For this image I just really wanted to let all of my complaints out. I tried to create a graffiti wall, and all the words on there are things that I've thought about during quarantine. I have stats on how many people are infected right now, complaints about my 2020 graduation, the toilet paper shortage, etc. To make sure that the theme of otherworldly horror remained in my drawings, the person in my picture might literally be walking to her death. 

This last piece is just how I feel in quarantine. I also have piles and piles of work to compete, so I'm feeling a little more down than usual. I'm trying to display a general feeling of isolation and being trapped by trying to make the ceiling really low and the windows boarded up. 

I have an idea of the last drawing which is a elderly man inside while the reaper stands right outside his window. This was inspired by the worry I feel for my parents, for my grandparents, who are at such a huge risk whenever they go outside. 

Morgan's drawing updates April 15th

I hope everyone is doing well. The weeks have been up and down for me, but a lot of good has come out of them, and some unexpected community and chances to do new things. I have one completed drawing so far. I'm a bit proud of this piece simply because I hate the time that goes into any form of semi-realism. This is not photo-realistic but I conveyed what I wanted to while working on techniques that I haven't practiced in a long time. I explained this piece in my first blog on this assignment; the woman outside represents a disparity between the people continuing work and school and the death that is
around us. This is the only piece I have completely finished at this point.

My last piece idea is pretty straightforward. While looking through news of the coronavirus I found that littering masks and gloves has become a huge problem in some areas. This piece shows a mask lying abandoned on the ground in some sort of populated area while distant figures walk around. It kind of resembles my empty Italian streets drawing (not finished) with the perspective and the mood, but shows a very different subject matter. 

Gloria Kim - April 15th Update

So, I actually had a tornado come through at 7 am on Monday morning. Our property and my family are completely safe, but we were out of power the entire day so I lost a day I meant to spend on these pieces. With my other classes finishing up, I'm able to focus more on these pieces and should be able to finish without feeling rushed.

This is terrible, but right as I'm typing my update, I feel the impulse to scrap my current progress and redo in a different style and medium. My final pieces so far are done in my classic mediums of charcoal, but something keeps nagging me to redo in ink and marker...I have enough paper to do it, so I may redo this piece and compare to see which I like better and proceed from there. I feel like I have to try this out or I will regret it.

I'm sure many of y'all can relate, but I really hate showing my drawings until the very final result. I think when I am finished, I will update this blog post, but the other two are in the "ugly phase" of drawing and they are hideous at the moment. There is one that is essentially done with an hour or two of refining that I would like to show,

This one is last week's "paranoia," or I might just rename to "don't touch your face!" There are some anatomical issues I want to work out, and I'm trying to figure out how to make the neon handprint pop out. I thought colored pencil will work, but I think it's not effective with this tone of paper. I'm possibly looking into using actual paint instead, but this is also why I wanted to switch to ink and marker since the marker can pop.

This project has taken a lot of roadblocks and direction changes, but I want this to be something I'm proud of and happy with, so I'll do what it takes to get that result.

Kevin Boyd - 4/15 Update

After some thought and quick sketches, I realized that having multiple pieces themed around different specific aspects of this pandemic was a little cliche and expected. Personally, I have been in my house for a month and a half now and the biggest emotions I feel are loneliness and isolation. On my previous update, I explained that my second piece would be themed around isolation, but I have now decided to base all 5 pieces on this concept. I don't have images to upload yet, but the 5 pieces are all B&W figures in dynamic poses to exemplify the idea of loneliness. I feel that this will create a more cohesive series and create an oxymoron in that each piece may represent solitude but the pieces together show a group struggle.

Overall, I spent a lot of the semester trying different methods or drawing whether it be photorealism, pen & ink, colored pencil, surrealism, etc. but after all of the experimentation, I have really solidified my preferred medium. Although seemingly basic, I have found that dynamic, strong, photorealistic graphite drawings are my strong suit. I particularly enjoy drawing the human form and trying to create a smooth muscle tone with only pencil shading. This may be traditional, but the way I began drawing was with graphite portraits so it is fitting that I have come full circle in my preferred subjects and medium.

Thank you to everyone's critiques and support throughout the semester. I hope everyone is safe and tries to remain as sane as possible through these crazy times.

Annie Kornack - 4/15 Updates

This week I was able to crack down and *complete* four out of my five drawings ("*complete*" because I will mostly likely continue to tweak and polish them up). Each drawing is different -- as seen below I used the same materials (paint, translucent base, and black pens/markers) but I wanted each to stand alone. I've felt throughout this quarantine that my mood changes daily, hourly, and even by the minute - so through each piece I've tried to showcase those differing emotions by giving them each their own unique twist.

Here are the four I have completed thus far:

The first showcases the thought I blogged about earlier -- how quarantine in the beginning was monotonous yet comforting but through tragic events and continued news updates everything seemed to get out of control -- hence the loops getting darker and more hectic.

The second, is a scene of Duke graduates by the chapel; however, I chose to overlay this normally celebratory event with paint that gave it a rough and wispy effect. The Chapel was faded out by white paint -- making it a distant memory for so many seniors who had to leave Duke before saying goodbye. The graduation caps in the air are also overlaid with paint, creating a rain effect and making the air somber.

 

The third, I chose to draw the "White House Coronavirus Task  Force" surrounded by text updates in the number of US coronavirus cases. I chose to use dark blue paint and a knife to scratch out the exponentially increasing case numbers surrounding this "task force" - a comment on how certain members of this task force are responding to the crisis.

Lastly, I chose to draw empty NYC streets and overlay it with the Cat's Cradle poem I discussed last week. I chose to use black labels instead of white because I liked this bold contrast with the pastel background.

For my last drawing I am going to draw closed stores I passed while on a recent outing through Hyde Park with my dad and then use paint to highlight the emptiness of these shops. 

5 Drawings:

Hi all,
Hope everyone is safe, healthy, well, and making due as best they can within these strange circumstances we are all in.
Sorry I haven't posted sooner. I have been in touch with Bill but wanted to make sure I posted here too. I am still attempting to finish up the project I had been working on with the collaged drawings of the construction site. Hopefully I'll have that finished by the 21st. That said I have also done the 5 drawings related to the present moment we are in. I have an ongoing series of drawings I've been working on for a few months in which I pull text from my text communications with the people in my life and then I pair them with images. Bill suggested it might be a good idea to continue this project within the context of COVID19. Initially I felt reluctant but then I started and now I can't stop so I guess he was right! Anyway, here are my five drawings for that (I know they're not due yet but I thought I'd go ahead and post them since I haven't posted anything before now) and if I have the other piece finished in time I'll post it on here too.
Also, I am giving an Artist Talk this Thursday for Duke Arts. I'm currently at home 24/7 with my 7-year-old twins and I have never given an artist talk remotely so I have no idea what it will be like and I'm a bit nervous! If any of you are interested in tuning in it would be nice to see some familiar faces! Attaching the details on that below just in case anyone wants them!
All my best,
Moriah


 

Mo- 4/8 Updates

For this week's updates, I wanted to focus a bit more on messaging in thoughts. In particular, I was thinking about my personal various topics that are being discussed throughout this pandemic and the how that has influenced my thoughts and actions. 

In this drawing above, I was thinking about the terms I've frequently searched throughout the past few weeks. COVID-19 has dominated the news and social media, so I find myself frequently searching various topics to keep myself informed. For instance,  I've searched there term "nytimes coronavirus map" everyday and tracked changes throughout the states and different countries. It's become a habit and I find this type of searching comforting in this current state of uncertainty. 

One of the biggest pieces of news that has been on my mind the past few days is the CDC's messaging about how talking and breathing also spread the virus. This comes along with the recommendation that people should now wear when going outside, but all I could think about when I first saw this news was a literal lost of speech and breathe. How will this limit our voluntary interactions and basic functions with our mouthes? Or will a face mask become the solution to this issue? I also drew two version to see if the my message conveys more in the whole face or part of the face.