Taaffe's work is sometimes labeled "conceptual abstraction".
His work has an impact because of the juxtaposition of images in his work. It can be differentiated from modernism in that moderns push forward (socially, visually, etc) through their art while Taaffe very must exists in the present; his work has less direction and more introspection.
Here are some pictures of art and materials he used to make it. I couldn't find any process drawings, but in these you can see some pieces that filled a role similar to process drawings.
I picked Philip Taaffe because I had no idea who he is. I am also drawn to some of his work; I like the the colors and the abstract shapes. To me, some of his paintings seem to give a Celtic vibe, like the one below. Sardica II is the first painting I saw by him, and I was intrigued by the colors and the layered feeling between the shoes in the foreground and the background pattern.
Sardica II, 2013
Mixed media on canvas
Mixed media on canvas
Panel with Diatoms, 2012
Mixed media on panel
Panel with Diatoms, 2012
Mixed media on panel
I put this painting in because I like it. From a distance it looks simple, but the closer you get the more details you see. This painting also has the layering that is so prevalent in his art. The first time I looked at this painting, I focused on the shapes--they draw the eye. But as I was looking deeper at the painting I realized the background looked like a person with his mouth open. All of the sudden this painting took on a darker tone.
Black Earth Panel I, 2012
Mixed media on panel
Mixed media on panel
One technique often seen in Taaffe's later work is the use of black to give form and texture to the color that was layed down as a base. You can see this in both Panel with Diatoms and Black Earth Panel I, but more so with Black Earth Panel I. The actual colors don't exactly line up with the shapes created by the black. In this way Black Earth Panel I is very simple--he only uses black paint to shade. Using only black paint allows Taaffe to again layer his work, creating an image with the texture of the black paint and allowing hime to develop a different seen underneath with the colored paint.
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Philip Taaffe
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and Diana Edkins. Artists at Work: Inside the Studios of Today's Most
Celebrated Artists. New York: Rizzoli, 1999. Print.
Sussler, Betsy. Speak
Art!: The Best of BOMB Magazine's Interviews with Artists. New York, NY:
New Art Publ., 1997. Print.
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