Having always had an interest in sculptures, I decided to
look through the works of traditional and modern day sculptors. While doing so,
the pieces of Auguste Rodin caught my attention, particularly, his collection
called “The Gates of Hell.” Rodin had originally begun this project by request
of French Minister of Public Instruction and Fine Arts, Jules Ferry. However,
what had started as a project for this little-known artist, turned into a
life-long, career defining masterpiece.
Born in Paris, November 12, 1840, Francois Auguste Rene
Rodin was the son of a minor police official. The majority of his childhood and
adolescence was spent drawing and sculpting. When he was denied entrance into
the Ecole des Beaux-Arts, he worked in partnership with Beligain artist van
Ras-bourgh. Over the course of his adulthood, Rodin used his talent in
decorative art to support his family. During this time, Rodin continuously
submitted his work in competitions for exhibition, but to no avail. A major turning
point for Rodin was when he received the request to create a pair of bronze
doors for a new arts museum in Paris. From this Rodin began his nearly 40 year
project of “The Gates of Hell”
Rodin initially found inspiration for the double doors in Inferno,
the first installment of Dante Alighieri’s
The Divine Comedy. He spent an entire year trying to understand Dante
through sketches and drawings. Rodin was motivated by the freedom and
expressivity of the Inferno and modeled his creation in light of that. Due to
this type of freedom, Rodin heavily experimented with emotional and sexual
expression through his figures.
Within this collection is Rodin’s most renowned creation:
The Thinker. Due to its lack of context or anecdotal cues, the message behind the
sculpture is forever open-ended. This was intentionally done by Rodin; he
wanted his pieces to be individually interpreted. Rodin did, however, offer
some insight into his thought process when creating The Thinker:
“What makes my Thinker
think is that he thinks not only with his brain, with his knitted brow, his
distended nostrils, and compressed lips, but with every muscle of his arms,
back and legs, with his clenched fist and gripping toes.”
Rodin has a particular appreciation for the power of the
creative mind.
Unfortunately, Rodin’s life-long creation was never cast in
bronze because the museum was never erected. The Rodin Museum in Philadelphia
currently possesses the first bronze cast of The Gates of Hell, received
in 1925.
I chose to work on this project of Rodin’s because I am
fascinated not only with the artistic skill with which it was made, but also in
the historical and literary connections made within it. Auguste Rodin was
simply asked to make a bronze door for a new museum, but instead, he decided to
use that request as an opportunity for expression of his thoughts and human
nature. The Gates of Hell, in my
opinion, is a powerful piece of art that demonstrates Rodin’s exceptional artisanship.
Sources:
Rodin's Sculpture. A Critical Study of
the Spreckels Collection. California Palace of the Legion of Honor
by Jacques de Caso; Patricia B. Sanders; Rodin Rediscovered by
Albert E. Elsen
The Gates of Hell. Elsen, Albert. Stanford University
Press, Stanford CA. 1985.
http://www.metmuseum.org/toah/hd/rodn/hd_rodn.htm
The director chose to tell about the life of the sculptor August Rodin from a different perspective. The film begins in the middle of the sculptor's life. After a difficult period, he acquired a positive reputation around his work, and the French government invites work inspired by Dante. director successfully reconstructs the complex relationship with his colleague, lover, and confidante - Camille Claudel. The film has all the ingredients for success - passion, love, and tension, so I do not agree with the low grade received by the film. In conclusion: I think the film met expectations, was true to the original, focused on the processes surrounding the artist's life.
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