Giuseppe Arcimboldo
Giuseppe Arcimboldo was an
Italian painter in the 16th century who was well-known for painting portrait
heads made completely of objects, creating an optical illusion. Arcimboldo has
made portraits of vegetables, animals, books, and kitchen objects. His
portraits have inspired a wealth of art.
The Four Seasons, 1573
Oil on canvas
These portraits have been viewed
with different interpretations. One interpretation is that the portraits are an
amusing work of fantasy, focusing on the curious double image shown of the
individual objects and the image as a whole. Another interpretation holds that
they are allegorical and related to the Hapsburg Empire and 16th
century science, with the objects acting as complicated symbols, interacting with
texts and statements from that time. A third interpretation is that the
portraits represent metaphysical statements as a new vision of man.
Many of Arcimboldo’s portraits
were painted with oil, but drawings are also documented, especially from his
costume design.
Albino Crow, 1574
The fauna and flora used in
Arcimbolo’s portraits were based off of exceptionally accurate studies, and all
the objects in his portraits were carefully chosen.
Not only did Arcimboldo paint
famous oil portraits, he was commissioned to do stained glass windows in
cathedrals, painted portraits for the Habsburg court, and worked as a court
decorator and costume designer.
Project for a Costume: The Sea
Dragon
Pen, blue ink, and watercolor on paper
Self Portrait, 1575
Pen and blue pencil on paper
Arcimboldo worked in a variety of
media, and showed different styles within his different commissions, from
lifelike oil portraits to fantastical costume design to thought-provoking
portraits made of objects. His approach to art was very methodical and thoughtful, but at the same time creative, going beyond the norms of his time to create a completely different style.
Sources:
The Arcimboldo Effect: Transformations of the Face from the 16th
to the 20th Century. Abbeville Press, NY. 1987.
Ferino-Pagden, Sylvia. Arcimboldo: 1526-1593. Skira Editore,
Italy. 2007.
Kaufmann, Thomas Dacosta. Arcimboldo: Visual Jokes, Natural History,
and Still-Life Painting. University of Chicago Press, Chicago. 2009.
Maiorino, Giancarlo. The Portrait of Eccentricity: Arcimboldo and
the Mannerist Grotesque. The Pennsylvania State University Press,
University Park. 1991.
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