Before this
semester, drawing was a foreign concept to me. Yes, I had doodled when I was bored in class and dabbled in
stick figure drawing, but I had never spent a significant amount of time
sketching any type of object or scenery.
My first day of drawing class was terrifying and overwhelming; as I
looked at previous students’ work, I wondered how in the world I would ever
fill up an entire page of Bristol board that size.
As we began
to practice in class and for assignments, drawing became a fun challenge. While drawing requires creativity, as I
expected, I also learned there is a science to making a drawing realistic. In order to perfect this science, one
must measure the scale of items in relation to each other and place them
correctly on the page. A
scientific artist also must sketch what they actually see and not what they
perceive or think they should be seeing. Learning to look at my subjects in
this manner has been my greatest challenge throughout this class.
While
drawing scenery was very difficult, I really enjoyed getting to know Duke’s
beautiful campus while looking for new places to draw. In the future, I want to continue to
work on shading and subtractive drawing techniques. Antoine de Saint-Exupery
wrote, "A designer knows he has achieved perfection not when there is
nothing left to add, but when there is nothing left to take away." Subtractive
drawing techniques interest me because of their unique approach to design; I
think I got a late start in the class with these skills due to my lack of
experience and only recently started to feel comfortable fully integrating them
in my assignments.
My biggest
surprise in this course was how much time drawing takes. I have found there to
be a great deal of truth in Camille Pisarro’s words: “It is only by drawing often, drawing everything, drawing incessantly,
that one fine day you discover to your surprise that you have rendered
something in its true character.” Every week I wished I had more time
to spend on my drawings. As my
investment in my work grew, each piece became a personal expression of how I
viewed things or places I liked. Although it never became easy, I tried to make
sure they were represented in the best way possible.
For someone
who’s always moving, learning to sit with my drawing pad for six hours at a
time has been no easy task. Drawing has taught me to be patient and focus on
the task at hand, to appreciate the stillness and peace in creativity. As I have
grown more comfortable with my work, I have grown to enjoy drawing as a
stress-relieving experience and to engage in the creative process.
Drawing
still does not come easily to me; in some ways, sitting down with my drawing
board is still as difficult as it was the first week of class. But as the weeks
have passed, I have come to enjoy the challenge of filling a blank Bristol
board with my own thoughts. As my portfolio has filled, I have looked back with
pride on how much I have learned about drawing—and about myself. As we end this
semester, I am excited to see where my future with drawing goes. Thanks for a great semester Prof Fick!
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