Art has always had a role in
my life. While my drawing skills are not the sharpest, I have had much exposure
to creating, enjoying and analyzing art.
In elementary school, we had
monthly Art Appreciation sessions where a student’s parent would facilitate a
conversation with students about a famous work of art. I fondly remember having
surface level discussions about da Vinci, Van Gogh and Picasso. I also enjoyed
these events because my mom often led them.
My mom’s house is filled
with art. Paintings of ballerinas or the seaside she made from before my sister
and I were born. Figurines she made of Madonna and Child before I was born to
channel her emotional desire to have a second child. Ceramic mugs, plates and
bowls she made and dedicated to my sister and I. The list goes on and on. And
they weren’t just in the house, I helped her as she displayed her works at
local exhibits. From the Festival of India to small galleries in the NoDa
district of Charlotte, my mom’s works have been all over the city. Such
experiences have made art in general and drawing specifically a very personal
and emotionally powerful tool for me.
One of the main reasons I
chose to take this course was that I missed being creative on a regular basis.
Last semester, I went to the Arts Annex a few times just to paint and destress.
I thoroughly enjoyed it and knew that I would hate myself if I didn’t take
advantage of more artistic opportunities that Duke offers.
I had some exposure to art via
Duke’s in my FOCUS program last year. Oriented around Medieval and Renaissance
History, I analyzed Leonardo da Vinci’s notebooks. Seeing his sketches and
appreciating the intersection between art and myriad other fields gave me great
joy. Da Vinci treated humans as a microcosm of the Earth. This connectedness
between humans and their surroundings is one of the most important values to
me. This inspired me to connect my interest in environmental policy to my
drawings in this course.
Such deeper level analyses of
art have become important to me largely thanks to my father. I remember going
to museums with him and my mom for most of my life. Whether it was to the Mint
Museum in Charlotte or the National Gallery of Modern Art in Delhi, I’ve always
been able to have a nice conversation discussing the underlying social,
political, philosophical or comical themes that a work of art may have.
Putting such elements into
my pieces was something important to me. Although I struggled with many
technical aspects of drawing, I feel that this course allowed me to grow
tremendously. Looking at the final piece I made, I know for a fact that I would
never have been able to make such a work before this course. I’m thankful that
Trinity requires students to have Arts, Literature and Performance classes to
graduate. This course helped me gain confidence in my own work while also
having built in time for creative expression. I look forward to continuing to
draw–whether that be doodles in notes, weekly sketches, or creating a larger
piece– for years to come.
This course has taught me to be more patient. One of my least favorite aspects of drawing is that you cannot simply move your pencil as quickly as possible and expect to produce a quality piece. Taking the time to slow down, think about what I want to make, and determine the most effective way to put my thoughts onto paper was important in this course.
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