Vik Muniz is a creative, humble and
generous artist and philanthropist. Born in Sao Paulo in 1961 into a poor
Brazilian family, he was able to escape the world he thought he knew, and move
to America where he became a successful and well-respected artist. As a result
of his journey, he acknowledges his responsibility to give back to those less
fortunate. One night when Muniz was 18, he witnessed and tried to stop a street
fight while on his way back from his first
black-tie event. He was mistaken for one of the fighters and was accidentally
shot in the leg. The money the shooter paid Muniz to not press charges enables him to pay for a trip to New York. There his friend lent him a studio where he
began as a sculptor, and slowly moved to drawing and
photography.
Muniz has created over 26
collections of art. At first glance, it seems as though he is solely recreating
familiar images or works of art. However, as you examine
the picture more closely, it
becomes clear that Muniz utilizes numerous mediums.
Somewhat early in his career, Muniz created a series called
“Sugar Children”, photographing children of sugar plantation workers from St.
Kitts in the Caribbean. Using sugar and sprinkling it on black paper,
he created images using the same material that enslaved their
parents. Muniz creatively relates the
materials he uses to the
image’s meaning.
Valentine, The Fastest.
Sugar Children, 1996
Valicia Bathes in
Sunday Clothes. Sugar Children, 1996
In a later collection, “Pictures of Chocolate”, Muniz uses
chocolate syrup as a medium. “Chocolate makes you think of love, luxury,
romance, obesity, scatology, stains, guilt, etc.” One of his most famous works
of art is based on Han’s Namuth's photograph of Jackson Pollock throwing paint
on a canvas. Muniz’s piece is completely rendered in chocolate sauce spread across vellum, replacing Pollock’s shinny, wet
splashed paint.
Action photo, after Hans Namuth. Pictures of
Chocolate, 1997
Muniz focused on perishable
materials, wishing to document their fleeting lifespan. As he experimented with foods, he realized that Andy Warhol’s work seemed to be
the perfect vehicle. Muniz used peanut butter and jelly to recreate the Mona
Lisa.
Double
Mona Lisa (Peanut Butter and Jelly). After Warhol, 1999
Later in Muniz’ career, he created “Pictures of Garbage", captured in Lucy Walker’s 2010 documentary Waste Land. She narrates his involvement
with one of the world’s largest landfills, Jardim
Gramacho (Gramacho Garden) located
in Rio de Janeiro. The 9,000 tons of garbage dumped daily provides jobs for
thousands of “catadores”, those who make a living
by collecting recyclable materials from mounds of trash. Muniz photographed 6
catadores in allegorical situations. He then enlarged
the images, placed them on the floor to act as a
stencil. With the help of the catadores, he covered the images using materials they had recycled. He then photographed the final images, and sold them at auction in London. He donated all proceeds to the landfill
organization to improve the lives of the pickers.
Pictures of Garbage. 2008
Thanks to my mother who was born and raised in Rio de
Janeiro, I am fortunate to have dual citizenship. I have spent endless summers in Rio,
known for its breathtaking beaches, soccer, and carnival. However, its favelas, or slums, are home to more than
one million people. I annually spend winter vacations in Brazil with my
grandparents, and have been blessed to see the
best that Rio has to offer. However, I also have witnessed the
poverty of the less fortunate. I chose to write about Vik Muniz because I admire his incredible
creativity, as well as his willingness to give
back to the community. Brazilians are full of life. They love samba, caipirinhas (an alcoholic drink), and long afternoons at the beach.
But the country has gone through various economic ups and downs, and life for many has not been easy. I am aware of these socio-economic
problems and applaud the few who go out of their way to make a difference.
Muniz is one of them.
“The really magical
things are the ones that happen right in front of you. A lot of the time you
keep looking for beauty, but it is already there. And if you look with a bit
more intention, you see it.” – Vik Muniz
Works
Cited
Kino,
Carol. "Where Art Meets Trash and Transforms Life." New York Times,
21 Oct. 2010. Web. 6 Oct. 2013. <http://www.nytimes.com/2010/10/24/arts/design/24muniz.html?pagewanted=all>.
Muniz,
Vik, Leonel Kaz, Nigge Piovesan. Loddi, and Paulo Herkenhoff. Vik.
Rio De Janeiro: Aprazível Ediçoes, 2009. Print.
Muniz,
Vik. Reflex: A Vik Muniz Primer. New York: Aperture, 2005.
Print.
Walker,
Lucy. Waste Land. 2010. Film.
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