While Kiki Smith is best known for
her sculptures, among prints and installations, I recognize her for her
drawings and mixed media works. As the
concentration for much of her work has been the body, she was one of the main
influences on my art for my junior year portfolio centered on anatomy. Smith is often described as a feminist artist,
and her work with the body goes from literal to metaphorical with themes of
“life, death, and resurrection” (PBS). She
describes herself as growing up religious, as her mother was Hindu and Catholic
“and her father was raised by Jesuits”, which caused many of her works to have
spiritual undertones (Wikipedia). In speaking about her print collection,
she said, "Prints mimic what we are as humans: we are all the same and yet
every one is different. I think there's a spiritual power in repetition, a
devotional quality, like saying rosaries”
(Wikipedia).
As a contemporary artist, Smith has
received many notable awards in the recent past. She now lives and works in New York, and the
Museum of Modern Art has taken notice of her pieces, both new and old (PBS).
She was asked to give lectures there in 2003 and 2004, “A Conversation Between Kiki Smith and Lynne
Tillman” and “Retelling Little
Red et al: Fairy Tales in Art and Literature” respectively (About the Artist: Kiki Smith). Besides
also having work at the MOMA, her pieces have spread to the “Walker Art Center, Whitney Museum of
American Art, Solomon R. Guggenheim Museum, and the Museum of Contemporary Art”
(PBS).
Born, created in 2002, focuses on the relationship between humans and
animals. In this “68 x 56 in”
lithograph, Little Red Riding Hood and her grandmother are shown as being “born
of the wolf rather than eaten by him” (Collections: Browse Objects: Born).
In Smith’s 1997 piece
Nest and Trees, she channels Jackson
Pollock with a “20 x 22 in. weblike design” of scanned and manipulated images
of trees (Collections:
Browse Objects: Born).
Kiki Smith’s “88 x
73 in. ink and pencil” piece, Lying With
the Wolf, was created in 2001 and is now housed by the Centre Pompidou (Wikipedia). She describes her reason for creating this
piece by saying, "In the Louvre I saw a picture of Genevieve sitting with
the wolves and the lambs...I had stopped making images of people for a couple
of years; I just wanted to make animals. But then I saw that picture, and I
thought, it's really important to put them all together. So I drew my friend
Genevieve as the Genevieve, and then I made all these wolves (I didn't make
lambs)" (The
Spiritual Importance of Contemporary Art).
This sculpture, Daisy Chain, was created in 1992 to
depict a “women’s fight for
freedom during a time of sexism and violence” (Everyone's
A Critic). It is created from “100 feet of steal chain” and
metal (Everyone's A
Critic). As a feminist artist, Smith wanted to show
the struggle of African American women against oppression and for
equality.
"About
the Artist: Kiki Smith." About the Artist:Kiki Smith. N.p., n.d.
Web. 04 Oct. 2013.
"Collections:
Browse Objects: Born." Brooklyn Museum: Browse Objects: Born. N.p.,
n.d. Web. 04 Oct. 2013.
"Everyone's
A Critic." : Kiki Smith’s Daisy Chain by Catie Wildman. N.p., n.d.
Web. 04 Oct. 2013.
"Heilbrunn
Timeline of Art History." Kiki Smith: Nest and Trees (1999.64).
N.p., n.d. Web. 04 Oct. 2013.
"Kiki
Smith." PBS. PBS, n.d. Web. 04 Oct. 2013.
"Kiki
Smith." Wikipedia. Wikimedia Foundation, 24 Sept. 2013. Web. 04
Oct. 2013.
"The
Spiritual Importance of Contemporary Art." : "Lying With the
Wolf" N.p., n.d. Web. 04 Oct. 2013.
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