Njideka Akunyili and “Afropolitanism”
The work of Nigerian born artist,
Njideka Akunyili captured my attention as I scrolled through images of
contemporary artwork. Not only because her colorful and textured pieces made my
eyes travel throughout the entirety of the pieces, but also the culturally
charged messages portrayed by her works as well as their titles left me
thinking long after I had scrolled on to the next image. Her artwork belongs to
a contemporary trend of “Afropolitanism” and explores identity and nationalism
of African immigrants as they move out of their cultures into other cities and
urban environments across the world.
Akunyili’s works are most often
large mural style pieces made up of a variety of media. She uses colored
pencil, charcoal, and fabric as well as newspaper cutouts, text, and photographs
to create a collage styled piece. She uses detailed patters and contrasting
bright and dark colors to entice the observers eye throughout the entirety of
the piece. The majority of the pieces are set in the intimacy of an apartment
living room or kitchen with furniture and picture frames filled with African
individuals in tradition clothing or in familial groups.
What catches my eye most often in
her works is not the individual or individuals that are the focal point in her
pieces, but the faces of individuals collaged into the wall paper, the
clothing, the floor tiles; and even more clearly, the individuals within the
picture frames or television screens who’s faces are clearly visible and often looking
directly outward. Often objects or clothing have similar patters as the
background causing them to blend into the background and drawing more attention
to the faces which are constantly peering from the background. The longer I
spend looking at the piece, the more the faces appear.
What I like most about her pieces
is the scale of the work, the African patterns and textures, and the unexpectedness
of the messages and themes of the pieces. One of these themes has reoccurred throughout
many of Akynyili’s pieces. It is the situation of a black woman in an intimate
position or gaze with a white man either alone or in a small group setting. One
piece in particular, Akunyili’s “I Still Face You”, appears to show some sort
of familial setting with four African individuals in traditional African clothing
gathered around a small dining room table closely looking at a young white man
who is also seated at the table. This man is dressed in very western attire
looking up at a black woman in a western styled dress. To me, this image encompasses
the intersection of western and African culture as it seems to show an African
woman introducing her white significant other to her family. The wall paper and
the floor contain a collage of images seem to represent a deep cultural history
and expansive African ancestry. There is
no hostility emitted by the various sides in the piece, but there is a sense of
seriousness of the image representing the tension of cultural mixing.
Sources
Articles:
Editorial,
Artsy. “The 20 Most Influential Artists of 2017.” 11 Artworks, Bio & Shows
on Artsy, Artsy, 15 Dec.
2017, www.artsy.net/article/artsy-editorial-20-influential-artists-2017.
Akunyili,
Njideka. Njideka Akunyili Crosby, www.njidekaakunyili.com/.
Image:
Akunyili
Crosby, Njideka. I Still Face You.
2015.
No comments:
Post a Comment