I live only two neighborhoods away from the Renwick Gallery
in Washington, DC, and I realized this assignment could be a
wonderful excuse to learn more about the contemporary art that is right down
the block. The Renwick is a free Smithsonian art museum that was completely
renovated in 2015 specifically to accommodate rotating exhibitions by
contemporary artists, featuring site-specific installations that last around 6
months to a year each[1]. I
think the diversity of the pieces, both across the range of the five
exhibitions I’ve seen and also within each exhibit, characterizes contemporary
art in general.
The opening exhibit, WONDER, featured nine contemporary
artists whose works spanned the spectrum of art[2].
Still, the word “wonder” is an excellent description of the feeling that tied
all of them together, from the bright rainbow of light from Gabriel Dawe’s
woven installation to Maya Lin’s tentacles of glass marble that crept along the
walls and floor of the next room over. Other artists used stacks of paper, old
tires, and even colorful bugs. It was
amazing to me how each artist was able to inspire such intense emotions of
amazement with such seemingly simple mediums. Together, the show really
emphasized the point that there is art in everything. One artist, Patrick
Dougherty, actually installed the stick sculpture in the middle of the duke
gardens, “The Big Easy”, which was just taken down in August[3].
The installations and sculptures were not just intended to
look pretty. Most of them had very specific inspirations and messages. Janet
Echelman installed a huge woven piece that hung from the ceiling based off of
the energy map from the earthquake and tsunami that hit Japan in 2011, intending
to demonstrate “that what is wondrous can equally be dangerous”[4].
Leo Villareal hung hundreds of flashing lights from the ceiling that display
patterns corresponding to code that he wrote based on the binary number system[5]. These
examples of contemporary art put a lot of emphasis on representation and explore
the ways in which information and ideas can be expressed and interpreted by a
wide audience. One thing about the WONDER exhibit that I especially loved was
that pictures and videos of the pieces were all over the Instagrams and Snapchats
of everyone in my high school. The Renwick had successfully made contemporary
art more accessible to young people.
In the past three years since WONDER, the
Renwick has featured Rick Araluce’s model life-size subway station entitled “The
Final Stop”, Frances Glessner Lee’s collection of miniature doll house crime
scene recreations, and several other exhibits. During the hurricane I had the
opportunity to see the current collection, “No Spectators: The Art of Burning
Man”, featuring works from over fifteen artists and archival materials from the
Nevada Museum of Art[6]. The
exhibit also extends outside the gallery itself with six additional outdoor
installations in the neighborhood in downtown DC. The Burning Man festival itself really characterizes contemporary art with its balance between incorporation of new technologies and ideas (what used to be fire is often now using LEDs and computers!) and the preservation of an annual cultural event that has been so impactful.
I think overall what I’ve learned from visiting
the Renwick Gallery for the past few years, and researching the artists these
past few days, is that contemporary art is broad and allows artists to take
liberties that older genres of art didn’t allow for. Still, really great
contemporary art is tied together through intentional, emotion-provoking undertones
that capture the attention of very specific audiences. One thing I need to work
on in my art is being more deliberate about what I want my art to say and who
it is intended for.
Works Cited
[1] Visit the Renwick Gallery.” Smithsonian American Art Museum, americanart.si.edu/visit/Renwick .
[2] “WONDER.” Smithsonian American Art Museum, americanart.si.edu/exhibitions/wonder.
[3] “‘The Big Easy.’” About Duke Gardens | Duke Gardens, gardens.duke.edu/Dougherty .
[4] “Janet Echelman.” Smithsonian American Art Museum, americanart.si.edu/exhibitions/wonder/janet-echelman.
[5] “Leo Villareal.” Smithsonian American Art Museum, americanart.si.edu/exhibitions/wonder/leo-villareal.
[6] “No Spectators: The Art of Burning Man.” Smithsonian American Art Museum, americanart.si.edu/exhibitions/burning-man.
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