Brian Froud and the True Face of the Fair Folk
(esmeralda figueras)
“After years of
painting faeries, I’m often asked if I ‘believe’ in them. The best answer I can
give is that I don’t have much of a choice in whether I believe in them or not,
for they seem to insist on my painting them." — Brian Froud
Brian Froud is a British illustrator and graphic designer.
Since the 1970’s, he has illustrated multiple children’s books and published
dozens of art books. He’s also worked on various films, including The Dark Crystal and Labyrinth, as a concept artist. The common thread in these diverse
media? Fairies.
Influenced by turn-of-the-century children’s books
illustrators Arthur Rackham and Edmund Dulac, Froud is known internationally
for his illustrations of the fair folk. But whereas traditionally, depictions
of fairies looked like scantily clad women – often gliding and occasionally
faintly glowing or with butterfly wings, as pictured below – Froud has moved
verily into the realm of the inhuman.
(From left to right: excerpts from paintings by Johann Heinrich Füssli (1788), Sophie Gengembre Anderson (1869), Arthur Wrackham (1910), and Disney’s Peter Pan (1953)) |
Froud portrays fairies in a way that is as varied as the
hills: wrinkly, leafy, twig-like, towering and miniscule. Some of them have
beaked faces or spiny backs. More than a few have long, impossibly thin limbs
attached to frogs feet or bony hands. Paging through his book, I could find
fairies peeking out from toadstool caps and peering out of tree trunks. Yet
every pixie, dryad, and troll maintains the same distinctive style.
It’s beautiful artwork, full of detail but with clearly
defined focal points. Froud has mastered the dim lighting of the forest floor,
as well as the soft ethereal glow of angels and cave worms. His primary mediums
appear to be graphite and water color.
Even though it’s inhuman, it’s not unbelievable. Froud
clearly has a solid grasp of human anatomy, and often exaggerates, stretches,
and compresses anatomical features and human body language in a way that is
still recognizable, if strange. The result can be charming, especially on all
the fairies with wide cheek bones and a twinkle in their crinkled, fathomless
black eyes.
Through a subdued, earthy color palette and organic
textures, the artwork has a very natural feel to it – and that’s part of what
makes it so epic. Looking at Froud’s illustrations, one can imagine the very
rocks, trees, and rivers that inspired the original folk lore, long before the
advent of Christianity and apparently, long after. Here, finally, one can make
out the mischievous and outright dangerous beings who might lure travelers to
their deaths or steal babies from cradles.
The last century has been good to fantasy art. With the
creation of the film industry, and the increase in reading for pleasure, genre fantasy
and speculative fiction developed, and with it, the entire field of Concept
Art/Visual Development. In this context, numerous contemporary artists have
radically changed the face of fantasy with less human-centric visions, though
Brian Froud can still be given some credit for bringing olde-style faeries back
into the popular imagination. Traces of his reimagination of the fair folk can be
seen in the popular movie/book series The
Spiderwick Chronicles, Holly Black’s The
Good Neighbors, and Disney’s live action
Maleficent, among other strange and wondrous fantasies.
Clockwise, from left: Excerpt from The Good Neighbors; screenshot of Disney's Maleficent; cover of The Spiderwick Chronicles #4, The Ironwood Tree |
Sources:
Bryonie. “Brian
Froud.” The Fernie Brae, The Fernie
Brae Art Gallery, www.ferniebrae.com/brian-froud-1.
Images
Anderson, Sophie
Gengembre. “Take the Fair Face of Woman...” Fairy,
Wikimedia, en.wikipedia.org/wiki/Fairy#/media/File:SophieAndersonTakethefairfaceofWoman.jpg.
DiTerlizzi, Tony.
“Cover Art of The Ironwood Tree.” The Ironwood Tree, Simon and Schuster,
www.simonandschuster.com/books/The-Ironwood-Tree/Tony-DiTerlizzi/The-Spiderwick-Chronicles/9781442487024.
Froud, Brian. “Faeries Made of Leaves.” Phillip Reeve, Blog Spot, 3.bp.blogspot.com/-KSL0lvviz8E/UdMyWA31vSI/AAAAAAAAEDo/OM-oH3A_Fh4/s1600/979870_300068236796720_1290740923_o.jpg.
Froud, Brian. “Glowing Blue Faerie with Toad Feet on a Toadstool.” The Art of Animation , Tumblr.com, 78.media.tumblr.com/tumblr_lvhz29XuMA1qhttpto2_1280.jpg.
Füssli , Johann
Heinrich. “‘Prince Arthur and the Fairy Queen.’” Fairy, Wikimedia, en.wikipedia.org/wiki/Fairy#/media/File:Johann_Heinrich_Füssli_058.jpg.
Naifeh, Ted. “Pages
98-99 of Good Neighbors #3.” A Little Faerie Magic, Ted Naifeh,
tednaifeh.com/2010/02/25/a-little-faerie-magic/nggallery/image/good_neighbors_3-page098-99/.
Rackham, Arthur.
“‘The Rhinemaidens Warn Siegfried.” Arthur
Rackham, Wikimedia,
en.wikipedia.org/wiki/Arthur_Rackham#/media/File:Siegfried_rhinemaidens.jpg.
“Screenshot from
Maleficent.” Dan Hairfield.com, Wordpress,
danhairfield.files.wordpress.com/2014/06/dom_trlr_1_still-87117_r_1920x1080.jpg.
“Screenshot from
‘Peter Pan Tinknapped’ Clip from Peter Pan.” Youtube.com, Susie
Harrison, www.youtube.com/watch?v=O833unYoI5w.
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