Vincent Van Gogh; The Dutch period (1880-1886)
Vincent
Van Gogh’s Worn Out (1882) piece really encompasses the dark and dreary
time in Van Gogh’s life. The bolded dark figure takes up the whole page,
protruding out into the foreground with no real background noticed. The piece
reflects a burden not only from the body positioning and language of the male
sketched but also in dark lines observed in the shading of the figures body.
This
second piece of Van Gogh’s Boats at Sea (Mid-July
1888), starts to reflect the style of art many viewers are accustomed to from
Van Gogh, one of light, warmth and color. Instead of the dark straight lines
observed in the previous pieces, this picture starts to have flow as well as a
feeling of light and ease from the curved, non-uniform lines observed.
The last Picture I
chose from this particular era was my very favorite. Van Gogh was a master of sunflowers;
some of his very best pieces encompassed them. It is interesting that even in
Van Gogh’s “dark era”, he still found a way to utilize the sunflowers in his
pieces. This may lead us to infer that the sunflowers depicted in this piece
signify an optimism and excitement in Va Gogh’s life, his depression had lifted
at this point. The first of many amazing pieces involving sunflowerd for Van
Gogh.
Citations:
Ives,
Colta, and Susan Alyson Stein. "Vincent van Gogh (1853–1890): The
Drawings". In Heilbrunn Timeline of Art History. New York: The
Metropolitan Museum of Art, 2000–.
http://www.metmuseum.org/toah/hd/gogh_d/hd_gogh_d.htm (October 2005)
SparkNotes
Editors. (2005). SparkNote on Vincent van Gogh. Retrieved October 2, 2014, from
http://www.sparknotes.com/biography/vangogh/
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