The Kiss, Gustav Klimt, 1908, Vienna, Austria
Gustav Klimt, 1911
Nightwatch, Rembrandt, 1642, Amsterdam, The Netherlands
La Primavera, Botticelli 1478, Florence, Italy
The first painting I wish to explore is Primavera, by Botticelli, and was painted in 1478, for Lorenzo di Pierfrancesco de’ Medici. It is suggested that Lorenzo Medici commissioned Botticelli to embody the Neoplatonic ideas that were popular in the Medici family circles. Neoplatonism is a mix between both Christian doctrine ideals and the stories of Greek and Roman mythology and society. Primavera is known to many as “visual poetry” and is stylistically the embodiment of Botticelli’s characteristics. As a painting within the Early Renaissance, it is still regarded today as being one of the most famous of Boticelli’s works. Being commissioned, Botticelli had a firm understanding of what his patron wanted, and for that matter, was not given as much freedom as another commissioned artist who would later produce as epic a piece.
Rembrandt painted Nightwatch for Captain Barining Cocq and 17 members of his civic guards, in 1642 at the peak of Netherlands’ golden age. We can only assume, but many believe that the guardsmen expected a group portrait in which each member would be clearly recognizable. No one was expecting the explosion of emotion, motion and depth Rembrandt would give to a usually mundane, insipid and intense portrayal of military. The painting was commissioned to be hung in the banquet hall of the newly built "Kloveniersdoelen" (Musketeers' Meeting Hall) in Amsterdam. To me, it seems so much more fitting to hang in a regal Hall rather than a Museum, where it would employ the characteristics that impose intimidation.
The last painting I look to analyze is The Kiss by Gustav Klimt. This painting was created in 1908 for no patron. Klimt was an Austrian who had been commissioned in the early 1890's to paint with his brother, though their project was delayed because of conflict, and Klimt would never receive another public commission again. The Kiss is viewed by hundreds of people a day, in Vienna, Austria at the Osterreichische Galerie Belvedere Museum.
I feel as though this painting can show a lot more about the artist than Primavera and Nightwatch. This is because Botticelli and Rembrandt never exposed themselves rawly, for they never painted what was within their souls; they brought about their talents and shed them to the public through their patrons wishes, but they never were given the chance to just paint what they felt like (that we know of). Klimt, however, mostly painted for himself. He usually always depicted women or trees, in bright, organic styles that would later be known as Art Noveau. His emotions were caught into the paintings rather than just technique or style of the time.
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