Jean-Michel Basquiat with some of his work ( Tucson Weekly: Source) |
Untitled (1982) Felt tip pen & oilstick on paper The Museum of Modern Art |
Basquiat's work has been
featured in galleries across the United States. His artistic style, an
“assimilated Abstract Expressionism” incorporated mixed elements of graffiti,
including both text and images, and classic techniques of gallery-style high
art. Many of Basquiat’s paintings use bright primary colors and bold lines,
often with words covering parts of the canvas. His work was often fairly
experimental, and Basquiat was known to spray-paint on other people’s property
and miscellaneous objects that he found in addition to his more traditional
canvases. He spent several years working on different musical projects and
appeared in a few independent films. Hip hop and punk music are cited as main
influences on Basquiat’s work, and he also drew inspiration from the artist
Robert Rauschenberg, who used found objects to create social commentary. Basquiat’s
art is described as spontaneous and loud, and a large portion of his work draws
on the history of colonialism and slavery in America to make statements on the
treatment of black people by white society.
Untitled (1983), The Museum of Modern Art |
Though his work
was generally successful and widely acclaimed, many critics wrote about
Basquiat’s work in a way that framed him as both exotic and sensationalist, focusing
on his appearance as an urban black artist in art galleries that primarily catered
to the white upper-class. Several writers discredit his work as being of little
artistic merit and lacking thoughtful technique. Notably, several museums have
refused to exhibit the Whitney Museum’s Basquiat retrospective, continuing a
trend of devaluing Basquiat’s work.
Flexible (1984), Brooklyn Museum |
Basquiat has
always been one of my favorite artists – I love his use of color, incorporation
of social criticisms, and incorporation of cartoon-esque, almost childlike
figures in his work. He tested the limits of what was considered valuable art and
shifted the power dynamic of New York galleries. Different facets of identity,
including gender, ethnicity, socioeconomic status, sexuality, and cultural
background all play a defining role in the creation of Basquiat’s art. Art has
been used to make controversial statements on identity politics for centuries,
and street art as activism is particularly relevant to the current dialogue on
race in the United States. For me, Basquiat’s work provides inspiration for expressive
pieces and pushes me to think more deeply about the relationship between art
and identity.
Works Cited
Basquiat, Jean Michel., and John Cheim. Jean Michel Basquiat: Drawings. Boston U.a.: Little, Brown, 1990. Print. "Jean-Michel Basquiat | MoMA." The Museum of Modern Art. N.p., n.d. Web. 20 Feb. 2017.Shafrazi, Tony. Jean-Michel Basquiat. New York: Tony Shafrazi Gallery, 1999. Print."Whitney Museum of American Art: Collection." Whitney Museum of American Art: Collection. N.p., n.d. Web. 20 Feb. 2017.
No comments:
Post a Comment